![]() ![]() In terms of peers, the only obvious comparisons are the Sony a7S II, which makes similar resolution sacrifices to prioritise near-native 4K video shooting, and the GH5S's own sister model: the GH5. Specifically: how much weight should we give to features (such as stabilization and autofocus) that we've come to expect cameras to offer, even though they're things not necessarily demanded by a primarily video-shooting audience? Our approach will be to detail these limitations and allow you to decide to what degree they undermine the considerable positives we've found. The Panasonic Lumix DC GH5S is one of the most video-centric cameras we've ever reviewed, which raises some interesting challenges. A tripod or gimbal is needed to get the best of the camera's video.Position of HDMI and headphone sockets limits screen movement.Saved settings not cross-compatible with GH5.Quality and crop changes at different variable frame rate settings.Substantial loss of stills resolution to prioritize video. ![]() V-Log L footage limited to offer V-Log compatibility.Dual UHS-II card slots with support for faster V series cards.Improved AF performance and customizability.V-Log L footage slots into Varicam/V-Log workflow.Auto ISO added for manual movie shooting.HDR preview and review modes for HLG footage. ![]() Built-in LUT display when shooting and reviewing V-Log L footage.V-Log L and HLG options for shooting in high DR scenes.Dual gain design extends range of lighting conditions the camera performs well across.60p capture in both DCI and UHD, including 10-bit over HDMI. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |